Wednesday, August 14, 2019

Fall, 2025 Syllabi (scroll down to desired syllabus)


Logic & Critical Reasoning

Fall 2025

MWF 10/Bowman 324; and 11 (FSEM)/Bowman 201

Bowman 324

Professor:            Dr. David K. Braden-Johnson                      

Department:       English & Philosophy

Office:                  60 Porter Street, Office #109

Office Hours:     MW 3:30-4:30; F 2-3

Email:                  d.johnson@mcla.edu

Blog:                     http://www.critojazz.blogspot.com

 

Online Text:   Matthew Van Cleeve, Introduction to Logic and Critical Reasoning

Introduction to Logic and Critical Thinking - Open Textbook Library

Focus of Course

This course is designed to improve your ability to understand, construct, and criticize both informal (natural language) and formal (categorical and propositional) "arguments" or claims presented as reasons for accepting some further claim.  Our every effort to communicate (including our efforts to teach and learn) involves the use (and, quite frequently, misuse) of logical argumentation.  Consider, for example, the following syllogism (an argument consisting of three statements (two premises and one conclusion) relating three terms (nothing, logic, and eternal happiness):

Nothing is better than finding eternal happiness.

Taking a course in logic is better than nothing.

 Therefore, taking a course in logic is better than finding eternal happiness!

The argument has a superficially valid form (a>b, c>a, therefore, c>b) which produces a rather unbelievable result.  It is clear that something in our reasoning has gone wrong -- but what exactly?  (It turns out that the premises equivocate on the meaning of the two phrases "better than nothing" and "nothing is better than.")  Our most general task is to avoid all such logical mistakes (especially in more serious contexts).  To this end we will consider in some detail the very notion of argument, argument structure, and the criteria for constructing good arguments; distinguish arguments supported by evidence and reason from mere opinion or belief; learn about a constructive form of induction and the limits of deduction; assess the nature and scope of “critical thinking”; and, most generally, apply these logical concepts to our writing, thinking, and acting.

I assume as well that our primary, collaborative task is to provide an inclusive and effective environment for learning -- one that promotes careful, thoughtful, and critical thinking.

In my view, critical thinking is the educational counterpart of rationality:  A critical thinker is one who appreciates (has the correct emotional and dispositional response to) and accepts the importance, the convicting force, of reasons; one who, when assessing claims, making judgments, or contemplating alternative actions, seeks reasons on which to base those assessments, judgments, and actions.  {There are, of course, other, marginally different yet often compelling, interpretations of critical thinking.)  We will frequently supplement our philosophical discussions with a consideration of the nature and value of teaching and learning.  In fact, we may spend as much time discussing the general topics of pedagogy (theories of teaching and learning) and critical thinking as we devote to the more traditional concerns of logic. 

Online Activities

In addition to assignments posted to Canvas, my blog listed above contains links to all ancillary University services, course handouts, and assignments, including a noninteractive page that lists weekly assignments for this course (“Assignments: Logic and CR”).  Since I prefer to devote class-time to the exposition and analysis of student and textual positions, I typically reserve my own views for this online medium.

Class Policies and Expectations

Carefully review Handout CPE.

Cancellations. I will attempt to email the entire class to warn of any unanticipated cancellations.

Laptop Policy

Like a concert hall or theater, our classroom is reserved for face-to-face interaction. Thus, barring special needs or circumstances, you may bring but not use your laptop during class. The same policy applies to cell phones and all other distracting gadgets. Please print out in advance any electronic material required for class.

Examinations

There will be several exams, most likely 4, spaced roughly evenly throughout the semester.  They will be modeled after the exercises of the text and designed to test your attendance and note-taking skills, basic grasp of the issues, ability to study for cumulative exams, and attention to the details of all reading assignments and problem sets.

My grading policy is, therefore, transparent and simple, based solely on the scores of your exams (See Handout CPE, “grading”).

Note: There will be an option to substitute a critical writing exercise for one quiz; details to follow.

 -----------------------------

Art and Philosophy

Fall 2025

MWF 1-1:50

Bowman 201

Professor:             David K. Braden-Johnson                       

Department:        English and Philosophy

Office:                   60 Porter Street, Office #109

Office Hours:      MW 3:30-4:30; F 2-3; and by appt.

Email:                   d.johnson@mcla.edu

Blog:                      http://www.critojazz.blogspot.com

Required Text:   Aesthetics, Cahn and Meskin, eds. (In MCLA Bookstore)

Focus of Class

This is an introductory yet rigorous seminar in the philosophy of art (often called “aesthetics”).  In the context of a philosophical (essentially theoretical, rather than a more narrowly historical, psychological, or sociological, etc.) approach to the products and processes of human artistic efforts, this course surveys and employs a variety of traditional and contemporary concepts for describing accurately our experience, understanding, and appreciation of all forms of art.

 Our philosophical inquiries will engage two central questions of aesthetics: “What is art/the aesthetic -- can it be clearly defined?” and “What is the source of art’s unique value to humans?”  We will also take up several related, domain-specific, or applied questions such as:

 What are the significant connections between artists and their audiences, society, history, politics, and the so-called “art-world”?  What is the nature of artistic innovation, creativity, and interpretation?  How are emotions/feelings, knowledge, truth, morality, taste, beauty, experience, and interpretation related to the arts? What is the nature of modern, or conceptual, art?  Is music a type of language?

Online Activities

My blog listed above contains links to all supporting course handouts (DKBJs Handouts) and assignments, including a non-interactive page that lists weekly reading assignments for this course (Assignments: Art and Philosophy). I will also post each assignment to Canvas.

Class Policies and Expectations

Carefully review Handout CPE

Cancellations

I will attempt to email the entire class to warn of any unanticipated cancellations.

Laptop Policy

Like a concert hall or theater, our classroom is reserved for face-to-face interaction. Thus, barring special needs or circumstances, you may bring but not use your laptop during class. The same policy applies to cell phones, IPods, and all other distracting gadgets. Please print out in advance any material required for class.

Exams

Every two or three weeks, students will assist in composing and then complete in class short exams covering the content of all discussions and readings.  

My grading policy is transparent and simple, based solely on the scores of your exams. (See Handout CPE,“grading”).

------------------------------------

Ethics and Animals

Fall, 2025

MW 2-3:15

Bowman 201

 

Professor:            Dr. David K. Braden-Johnson                      

Department:        English & Philosophy

Office:                   60 Porter Street, Office #109

Office Hours:      MW 3:30-4:30; F 2-3; and by appt.

Phone:                  (413) 662-5448

Email:                   d.johnson@mcla.edu

Blog:                      http://www.critojazz.blogspot.com

 

Required Text: Lori Gruen, Ethics and Animals: An Introduction.  All other readings in handout form or online.

Focus of Course

 Ethics

We all subscribe, at any point in time, to a certain set of moral propositions (only some of which we can readily articulate). For example, someone might hold to each of the following (moral/ethical/normative) views:

 (1) Tolerance is always a good thing.

(2) Late-term abortions are wrong.

(3) Suicide should be viewed as simply a matter of personal choice.

(4) Sexual harassment is never excusable.

(5) Eating turkey on Thanksgiving is a harmless tradition.

(6) Killing whales for profit is inhumane and should be illegal.

 It is important to note that ethics is not a unique form of reasoning; rather, it involves giving moral reasons to support the moral positions/beliefs/claims we actually hold or assert.  Ethics therefore entails a number of questions: Are our reasons objective?  That is, do they hold true for all persons in relevantly similar situations?  Or could our moral reasons be reducible to custom (cultural relativism), to subjective feelings (emotivism), to self-interest (egoism), or to religion (theism)?  What is the role of consistency or coherence in ethics? Should the defender of (1) tolerate someone else's defense of sexual harassment or third-trimester abortion?  Can the defender of (5) make (rational) sense of his or her commitment to (2) or (6)?  Is there an intellectually responsible escape from these concerns in some variety of “relativistic,” contextual, or “personal” ethics?

 Who matters?

Which species of animals on earth matter to humans (or have value of some sort to or for us); or, on the assumption that human valuations often reflect the value that inheres to objects, have value to or in themselves (i.e., "intrinsic" value)?  These very general axiological (value-based) questions will serve as the starting point for our consideration of the proper range of human (moral or ethical) valuations.  Of course, the earth and at least some of its creatures do matter to some extent to all of us, as we naturally include ourselves and/or our interests and companion/favorite animals among those most valued objects.

How much do they matter?

Therefore, the real question we must ask is this: How much ought these living beings (including humans) matter to us and why?  In other words: What is the proper degree of respect due these others?  Can we identify a universal set of basic moral obligations to (some part of) the animal world, or will these obligations vary along cultural, ethnic, geographical, racial, historical, or gender-based lines?  And, given certain inevitable conflicts that will arise within any coherent set of valuations, what kinds of tradeoffs are we justified in making?  Given, for example, certain morally relevant similarities between many human and nonhuman animals, are we ever morally justified in advocating or engaging in forms of scientific experimentation on nonhumans that are designed to benefit humans alone.

The ethics of use

Most generally, is the human use or consumption, in various ways, of sentient (or conscious, or self-aware) yet nonhuman life consistent with a recognition of the special kind of value (assuming there be such -- here we can raise the specter of the proper valuation of non-animal life or even non-living entities, though environmental ethics will not be our main focus) that attaches to these living beings?  Or might we identify some morally relevant difference (or set of differences) between humans and all other creatures that are sufficient to justify current human consumptive practices (namely, the use nonhuman animals for food, clothing, or medical, sport, and entertainment purposes)?

 Online Activities

My blog listed above contains links (“DKBJ’s Handouts”) to all supporting course handouts and assignments, including a noninteractive page that lists weekly writing assignments/notifications for this course (“Assignments: E&A”).  Since I prefer to devote class-time to the exposition and analysis of student and textual positions, I typically reserve my own views for this online medium. Please feel free to offer comments on my (main) blog posts.

Class Policies and Expectations

Carefully review Handout CL. Maintaining civility and openness is especially important – and at times challenging – in this context.  Our discussions and readings will involve unpleasant (often ignored) facts about human-animal relations and contentious moral theories, many of which explicitly condemn the commonplace, traditional, or seemingly innocuous daily activities of the vast majority (if not all) of humanity.  Therefore, our task is to carve out a safe, productive, intellectually engaging space for the careful consideration of these facts and theories about our relations to nonhuman others.  This is decidedly not the time for moralizing (“Well, if you want to be a better person…”), proselytizing (“Animals are people, too; end of story!”), or the defensive promotion of one’s long-held view (“Animals have been eating each other since the dawn of time.…”).

 Cancellations

I will attempt to email the entire class on Office 365 to warn of any unanticipated cancellations.

 Laptop Policy

Like a concert hall or theater, our classroom is reserved for face-to-face interaction. Thus, barring special needs or circumstances, you may bring but not use your laptop during class. The same policy applies to cell phones, iPods, and all other distracting gadgets. Please print out in advance any electronic material required for class.

 Examinations

There will be no examinations in this course.

Book Review

See Handout BR

Multi-Stage Critical Research Essay

See Handout M-SCRE

 

 

 

Friday, January 18, 2019

Handout QA: Q&As (nonhonors/100-200-level sections)

What is a Q&A?
A Q&A is a brief writing assignment that asks each student to answer one question (typically posed by the professor) and to raise two further questions about a particular subject.  Typically, Q&As are posted by Friday evening in the margin of my main weblog on the "assignments" page corresponding to the course and due the following Friday in hard copy at the close of class.

Why write a Q&A?
(1) Q&As encourage critical, careful, deliberate reading of texts — readings which begin with thorough exposition and end with critical interpretation; (2) Q&As create a more permanent (written) record of the reader's reflections on a text and its author's (apparent) intentions; (3) Q&As, qua a literary form, allow students to practice and perfect their own artistic products; and (4) Q&As can promote and assist classroom discussion of texts.

How does one successfully complete a Q&A?
A complete Q&A consists of these two parts:

1. Each student produces a 250-500-word (one-to-two full double-spaced pages) answer to the question I pose.  Answers should be typed and free of grammatical/stylistic errors.  All answers must take the form of argumentative (or "critical" or "persuasive") essays.  I've outlined the format for composing these essays in Handouts ST, CR1, CR2, and CR3.  You are not required to include a "CRITO outline" (see handout CR3) with your final essay.  Properly cite all quoted or paraphrased material.  Any established style is acceptable (MLA, APA, etc.)  My only concern is that the method you choose is consistent, complete, and accurate.

2. Each student then composes two well-formed and thoughtful questions related to the topic at hand, avoiding rhetorical ("who's to say what is really true?") or simple (when was Kant born?) questions in favor of substantive issues of genuine concern to the student.  It is not necessary to answer the questions you raise.  Simply number the questions "1" and "2" and position them at the bottom of your essay.

How are Q&As graded?
Each student will receive a grade of "check minus minus," “check minus,” “check,” or “check plus,” corresponding to the letter grades D, C, B, and A.  Although grading is a fallible affair, in general most Q&As will receive a “check” or "check minus" unless obviously deficient or exemplary in some respect. In full-semester (15 week) courses, students are allowed one unexcused missed Q&A and one unexcused missed quiz. (Unexcused) late work receives no credit at all.  For an explanation of any abbreviations included in my marginal commentary on your work, consult my "Editorial Suggestions Key."

Note well: Q&As and quizzes are the only graded components of the course, so missing an assignment/quiz or two beyond the two allowable typically leads to failure.  I collect hard copies of papers on the due date at the close of class.  Aside from fully online courses, I do not accept papers in electronic form.